"Everybody has that one person," he says. His inimitable voice takes center stage, jumping from a vibrant croon to a big falsetto. With its doo wop bounce and lithe swing, the track immediately stands out. Lyfe's own soul drives the track "Always". That's the thread tying everything together." "I don't want to classify it as anything else.
That's been so crucial to this entire process."Īs a result of this approach, he strips the music down to its essence. "You'll never get back the way you feel in the moment so you have to put it down as you're experiencing it. Producing and writing everything himself, it's an extremely personal affair. He opted to cut everything at his home studio in order to capture each idea as it arrived, preserving magic in the moment. In early 2014, Lyfe began recording what would eventually become Ten Years Later. This album reaffirms the reasons why people started loving this music in the first place." First, Lucid let everybody know that I was back. I don't think you can reinvent the truth. Everybody feels like they have to reinvent themselves. "We're already deep into the story," he explains.
Now, by doing what he does best, he's making his most personal and passionate statement to date in the form of his sixth album Ten Years Later. He also collaborated with everybody from Alicia Keys and Talib Kweli to Rick Ross and Bun B. Since then, the singer and songwriter created four more critically acclaimed and consistently powerful offerings, including 2013's Lucid. In 2004, Lyfe Jennings captivated countless listeners worldwide with his seminal platinum-selling debut Lyfe 268-192. However, certain things-thankfully-stay the same. There is absolutely no doubt that Jennings’ works will be interesting for all the honest and sincere music lovers, and it does not matter what album You will chose to start the acquaintance with Lyfe’s creativity – all his records are good and original in their own way.A lot can happen over the course of a decade. These long plays demonstrate Lyfe’s development as the musician and show his talent and skills perfectly. All Jennings’ works turned out to be not alike, because they were created during different periods of the singer’s life, while he shared his thoughts and experiences with his listeners. Lyfe issued his fourth studio work I Still Believe (2010) which got excellent reviews from the musical experts and pleased numerous fans. However, in spite of all these changes, Jennings remained faithful to his style. Its title pretty much corresponded to its content: there were some changes in the singer’s creativity, and pessimistic compositions of social topics were substituted by more positive and life-affirming songs and love and romantic lyrics. In 2008 the official release of Lyfe’s third studio attempt titled Lyfe Change took place. The Phoenix managed to preserve its predecessor’s atmosphere, but the quality became even higher and its strong arrangements proved to be more delicate. That studio work satisfied all the fans’ expectations, who had been waiting edgily for the Lyfe 268-192 continuation. Two years later Jennings released his second album titled The Phoenix (2006). Delicate arrangements and soft vocals were really enjoyed by both numerous music lovers and critics, and Lyfe 268-192 debuted at the top of Billboard chart in a very confident way. These compositions were later included into Lyfe’s debut album Lyfe 268-192, released in 2002, and the numbers in the title of that long play were Jennings’ personal number in prison. Jennings started writing the texts, devoted to difficulties and mistakes that he had done before.
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His professional musical career began in rather unusual way: Lyfe went to jail for arson for ten years, and during that period he reconsidered all his life. American singer and multiinstrumentalist Lyfe Jennings was born in 1973 in Toledo.
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